In a development that has sent shockwaves through the ivory tower of film criticism, BTS member Jin’s infectiously catchy single “Super Tuna” has not only dominated music charts worldwide but has also landed itself in the unlikeliest of places: the Oscar conversation. Yes, you read that correctly. The song, a playful ode to, well, tuna, has left esteemed reviewers scratching their heads and reevaluating the very definition of cinematic achievement.
“This isn’t just a song, it’s a profound meditation on the fleeting nature of aquatic life,” gushed Roger Ebert’s ghost, somehow materializing to weigh in on the phenomenon. “The lyrical depth of lines like ‘worldwide handsome, catchy like no other’ is simply unparalleled.”
Meanwhile, renowned film critic Pauline Kael, resurrected from the great beyond for good measure, declared, “The way Jin seamlessly transitions from a smooth baritone to a playful falsetto during the chorus? It’s pure Hitchcockian suspense! You never know what’s coming next!”
The parallels drawn between “Super Tuna” and classic cinema are nothing short of hilarious. Comparisons abound to “Citizen Kane” for its exploration of the elusive nature of fame (“worldwide handsome” serving as a stand-in for Rosebud), and to “The Godfather” for its portrayal of the cutthroat world of the Korean fishing industry (a thematic reach even the most ardent K-Pop fan might find difficult to swallow).
The potential Oscar nominations for “Super Tuna” are a source of much debate. The most likely category seems to be Best Original Song, but whispers of a groundbreaking push for Best Animated Feature have also surfaced. After all, the accompanying music video, featuring Jin in a series of flamboyant fishing outfits, is a visual feast that rivals any Pixar masterpiece.
Of course, there are those who remain unconvinced. Film Twitter, a notoriously grumpy bunch, has erupted with cries of “sacrilege” and “the death of cinema.” They argue that “Super Tuna,” while undeniably catchy, lacks the artistic merit and thematic weight typically associated with Oscar contenders.
But who are these joyless souls to rain on our parade? “Super Tuna” is a testament to the power of music to transcend language and culture. It’s a song that makes you want to dance, sing along, and maybe, just maybe, book a spontaneous fishing trip. Isn’t that what art is all about?
Perhaps the Academy Awards should consider a new category altogether: Best Viral K-Pop Hit. After all, if a song can single-handedly boost the global tuna industry (sales have reportedly skyrocketed since the song’s release), surely it deserves some awards recognition.
So, what do you think, dear reader? Is “Super Tuna” the next “Parasite” of the music world? Does it deserve a place on the Oscar stage? Let us know in the comments below, and remember, if you disagree, well, that’s just tuna-believable.
